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ᑕᒃᑯᒌᐊᕐᓗᑖ ᐊᔾᔨᖏᑎᑦᓯᕌᑦᑕᑦᑐᓂᒃ: ᐊᒪᐅᑏᑦ ᐱᒋᐊᕐᑎᑦᓯᔪᑦ ᓄᓇᓕᖕᓂ ᐊᑉᐲᖁᑏᑦ ᐊᑕᐅᓯᐅᖏᑦᓗᑏᑦ

ᑕᒃᑯᐊ ᓄᓇᕗᒻᒥᐊᕐᓇᐃᑦᑲᑐᔾᔨᖃᑎᒌᖏᑦ ᓯᐊᒻᒪᖅᓯᕗᖅ ᓄᑕᕐᒥᑦ ᐱᓕᕆᐊᖓᓐᓂᒃ ᑕᒻᒪᓇ ᓄᑕᖑᓛᖑᔪᖅ ᐱᓕᕆᐊᖓᓐᓂᒃ ᑲᔪᓯᓐᓇᕐᑐᒥᑦ ᑕᒻᒪᑐᒥᖓᖅ.

ᑕᒃᑯᐊ ᓄᓇᕗᒻᒥ ᐊᕐᓇᐃᑦ ᑲᑐᔾᔨᖃᑎᒌᖏᑦ ᓯᐊᒻᒪᖅᓯᕗᖅ ᓄᑕᕐᒥᑦ ᐱᓕᕆᐊᖓᓐᓂᒃ ᑕᒻᒪᓇ ᓄᑕᖑᓛᖑᔪᖅ ᐱᓕᕆᐊᖓᓐᓂᒃ ᑲᔪᓯᓐᓇᕐᑐᒥᑦ ᑕᒻᒪᑐᒥᖓᖅ. ᑕᕝᕙᓂ ᑕᕿᑎᓐᓂ, ᐊᒪᐅᑏᑦ ᑲᑐᔨᖃᑎᒌᖏᑦ ᖃᐅᔨᓴᓚᖓᔪᐃᑦ ᖃᐅᔨᓴᕐᓂᖅᒥᑦ ᓴᕿᑎᕆᓗᑎᒃ ᑐᑭᓯᒍᒪᖕᒪᑦᑕ ᐊᒻᒪᓗ ᖃᓄᑐᕐᕈᒻᒥᑦ ᐊᓪᓚᑲᖅᑕᐅᓗᓐᓂ ᑐᕐᕋᖓᔪᑦ ᒪᒃᑯᓄᖓ ᐅᔾᔨᓐᓇᕐᑐᓄᑦ ᐅᓪᓗᕆᐊᓇᕐᕆᔭᐅᔪᑦ ᐊᕿᒋᐊᕐᑕᐅᒍᓐᓇᕐᓗ ᐊᒻᒪᓗ ᐱᔭᕆᐊᑐᒋᔭᐅᑦᓱᓄᑦ ᓱᒃᑰᓂᕐᒧᑦ ᐊᔪᓴᓂᕐᒧᑦ ᑐᕋᖓᔪᑦ ᑭᓇᑐᐃᓇᖅ ᓄᓇᕗᒻᒥᑦᑐᑦ ᐱᓪᓗᐊᕐᑐᒥᑦ ᐊᑦᑐᕈᓱᖑᓂᖏᓐᓄᑦ ᖃᐅᔨᓴᕈᒪᓪᓗᑎᒃ, ᐱᓪᓗᐊᕐᑐᒥᑦ ᑭᓇᐅᓂᖏᓐᓄᑦ ᐊᔾᔨᖏᑦᑎᑕᐅᓱᖑᓐᓂᖏᓐᓄᑦ ᑐᒃᑕᖅᓯᒪᑦᓯᐊᕆᐊᓖᑦ ᐊᒻᒪᓗ ᐊᑦᑐᐊᒐᐃᑦ ᐊᕿᒋᐊᕐᓯᒪᓂᕐᓴᐅᓗᑎᑦ. 

ᐅᓐᓄᕐᓯᕙᓕᐊᔪᐃᑦ ᐊᔾᔨᒌᓕᕐᑎᑦᓯᓂᐅᑉ ᑭᒡᒐᕐᑐᐃᓂᐅᑉ ᐃᓪᓗᐊᒍᑦ ᐊᖏᓕᑎᑦᓯᕙᖕᒪᑖ ᒪᓐᓇᐅᔪᖅ ᐊᑐᖅᑕᐅᔪᑦ ᓱᕐᓗ, ᒪᓐᓇᐅᔪᖅ ᐃᓄᒋᐊᑦᑐᓄᑦ, ᐅᑉᐱᓂᐅᑉ, ᐊᒻᒪᓗ ᐃᓕᖁᓯᐅᑉ ᐃᓪᓚᑯᖓᓐᓂᖏᓐᓂᒃ, ᐅᑦᓱᕈᓐᓇᕋᑦᑕᖓᑦ ᑕᐃᒻᒪᒑᖓᑦᑖ ᒐᕙᒪᐃᑦ ᐊᓯᖏᓪᓗ ᐱᓕᕆᕖᑦ ᐃᓗᐊᒍᖓᔪᑦ ᐊᐅᓚᑦᑕᐅᓂᖏᓐᓂᒃ ᐱᓕᕆᖃᑎᒌᒍᓐᓇᕋᓗᐊᕐᑎᓪᓗᒋᑦ, ᐃᓪᓚᑰᖔᓕᕌᑦᑕᖓᑦᑖ, ᐊᒻᒪᓗ ᐊᑦᓱᕈᓐᓇᓯᕋᑦᑕᖓᖅ ᐱᓕᕆᖃᑎᒌᒍᒻᒪᓗᓐᓂ ᖃᓄᑐᐃᓇᖅ ᐱᓕᕆᐊᕆᔭᐅᒋᐊᖃᕋᓗᐊᕐᑐᓂᒃ. ᐅᓄᖅᓯᕙᓕᐊᔪᐃᓪᓗ ᐅᕕᓂᐅᖃᑎᒌᖏᑦᑐᐃᑦ ᐱᔭᕆᔭᐅᓂᖏᓐᓂᒃ ᐱᑦᓯᐊᕐᑕᐅᖏᓪᓗᑎᒃ ᐊᒻᒪᓗ ᐊᔾᔨᒌᑎᑕᐅᖏᓐᓂᖏᓐᓂᒃ, ᑕᒻᒪᓂ ᓄᓇᕗᒻᒥᑦ ᐊᒻᒪᓗ ᑕᒻᒪᓂᑐᐃᓇᐅᖏᑦᑐᖅ, ᐊᓪᓛ ᓄᓇᕐᔪᐊᕐᑎᓐᓂᒃ ᑲᓇᑕᒥᑦ. ᐅᑎᕆᐊᑐᔭᕐᑐᑎᒃ ᐊᑦᓱᕈᕈᑦᑕᐅᓯᒪᔪᐃᑦᖅ ᐱᓪᓕᕆᐊᖑᔪᐃᑦ ᓱᕐᓗ ᐊᔾᔨᒌᑎᑦᓯᓂᖅ, ᐱᖃᑕᐅᑎᑦᓯᓂᖅ ᑕᒻᒪᐃᓂᒃ, ᐱᖃᑕᐅᑎᑦᓯᓂᖅ ᐱᓕᕆᐊᖑᔪᓂᒃ, ᐊᔾᔨᒌᖏᑦᑐᑏᑦ−ᐃᓕᖁᓯᖏᓐᓄᑦ, ᑐᑭᓯᐅᒪᒋᐊᖃᕋᑦᑕᐅᑎᓐᓂᒃ ᐊᒻᒪᓗ ᐃᓱᒪᒌᔪᓐᓇᐃᕖᐅᓂᖅ ᐊᑐᑎᖃᕆᐊᖃᖅᑎᓪᓗᒍ.

ᑕᒻᒪᓇ ᓄᑕᖅ ᖃᐅᔨᓴᕐᓂᖅᒥᑦ ᐊᑕᐅᓯᐅᖏᑦᑐᑦ ᐃᓪᓚᒋᔭᐅᔪᖅ ᑕᒃᑯᓇᖓᑦ ᐱᓕᕆᐊᖏᓐᓂᒃ ᑎᒻᒥᐅᔫᑉ ᓱᓕᔪᓂᐊᕐᓂᕋᐃᓯᒪᓪᓗᑎᒃ ᑲᔪᓯᓗᑎᒃ ᓇᒻᒪᑦᑐᒥᒃ ᑕᒻᒪᐃᓂᒃ ᑭᒃᑯᑐᐃᓇᕐᓂᒃ ᐊᒻᒪᓗ ᐱᑕᖃᖏᓪᓗᓐᓂ−ᐊᔾᔨᒌᖏᑎᑦᓯᓂᖅ ᑕᒻᒪᓂ ᓄᓇᕗᒻᒥᑦ. ᑕᒻᒪᓇ ᖃᐅᔨᓴᕐᓂᖅᒥᑦ ᑐᕋᒑᖓᑦ ᐊᑐᑎᖃᑦᓯᐊᓂᕐᒥᒃ ᐅᑉᐱᖅᓇᕐᑐᓂᒃ ᐊᒻᒪᓗ ᑐᓴᐅᒪᑎᑦᓯᑦᓯᐊᕐᓗᑎᒃ ᑕᒃᑯᓂᖓ ᐊᒪᐅᑏᑦ ᐱᓕᕆᐊᖏᓐᓂᒃ ᖃᐅᔨᓴᓚᖓᔪᑦ ᐊᒻᒥᒑᕐᑐᓂᒃ ᑐᑭᓯᔭᐅᒋᐊᓕᖕᓂᓪᓗ ᐊᒻᒪᓗ ᐱᑕᖃᖏᓗᐊᕐᑐᑦ ᓱᓇᐅᒪᖓᑦᑖ ᖃᐅᔨᓴᕐᓗᑎᑦ ᐃᖃᓇᐃᔭᕐᕕᖕᓂ ᐊᑦᑐᐊᒐᐃᑦ ᐅᕝᕙᓪᓗᓐᓃᑦ ᐱᓕᕆᐊᑦᓴᐅᕙᑦᑐᑦ ᐊᒻᒥᒐᕐᒪᖓᑦᑖ. ᐃᓪᓚ ᐱᓪᓗᐊᕐᑐᒥᑦ, ᑕᒻᒪᓇ ᑭᒃᑯᑐᐃᓇᕐᓄᑦ ᐱᔪᓐᓇᐅᑎᑦ ᐊᒻᒪᓗ ᐲᒃᑯᒌᔭᖃᕐᓂᖅ ᐃᓱᒪᒋᔭᐅᓗᓐᓂ ᖃᓄᐃᒋᐊᖃᖏᒻᒪᑦ ᑭᓇᑐᐃᓇᖅ ᑕᒻᒪᐃᑖ ᓄᓇᕗᒻᒥᑦ, ᐱᓪᓗᐊᕐᑐᖅ ᐊᕐᓇᐃᑦ, ᓂᕕᐊᕐᓯᐊᑦ, ᐊᒻᒪᓗ ᐅᒃᑯᐊ ᐊᕐᓇᐃᓕᖓᔪᑦ ᐊᖑᑕᐃᓕᖓᔪᑦ 2SLGBTQQIA+ ᑕᐃᒪᐃᑦᑑᖃᑎᒥᓐᓂᒃ ᐊᐃᑉᐸᕆᔭᖃᓲᑦ ᑭᒃᑯᑐᐃᓇᐃᑦ ᓄᓇᓕᖕᓂ.

ᑭᓇᐅᔭᖃᖅᑎᑕᐅᓯᒪᔪᑦ ᒐᕙᒪᑐᖃᖅᑯᑦ ᐱᓕᕆᕕᖕᒥᑦ ᓄᓇᖃᖅᑐᑐᖃᐃᑦ ᐊᒻᒪᓗ ᐅᑭᐅᖅᑕᖅᑐᒥ ᑎᑎᕋᕐᕕᖓᓂ, ᑕᒻᒪᓇ ᖃᐅᔨᓴᖅᓂᖅ ᐸᕐᓇᐅᑕᐅᓯᒪᔪᖅ ᑲᔪᓯᓇᕐᑐᒥᒃ ᐱᓕᕆᐊᑦᓴᐃᑦ ᑐᕋᖓᔪᑦ ᑕᒻᒪᓇ ᓄᓇᕗᒻᒧᑦ ᐃᓄᓕᒫᑦ ᐱᔪᓐᓇᐅᑎᖏᑦ ᐱᖁᔭᖅ (HRA)) ᒪᓪᓕᒋᐊᖃᖓᑦ ᑐᙵᕕᒋᔭᐅᓪᓗᓐᓂ ᑕᒻᒪᐃᓐᓄᑦ ᐃᓪᓚᐃᓇᖏᓪᓗᓐᓂ−ᐃᓪᓚᐃᓇᖏᓐᓂᒃ ᑭᓯᐊᓂ ᑕᒻᒪᐃᓄᑦ.

ᑕᐃᒻᒪᓇ ᒪᓪᓕᑦᑐᒍ ᐊᑕᓂᑦᑐᑦ ᒐᕙᒪᑐᖃᒃᑯᑦ ᐱᓕᕆᕕᖕᒥᑦ ᑐᕋᖓᔪᑦ ᐊᓯᐅᔭᐅᓯᒪᔪᑦ ᐊᒻᒪᓗ ᐃᓄᐊᕐᑕᐅᓯᒪᔪᑦ ᓄᓇᖃᖅᑲᖅᓯᒪᔪᑦ ᐊᕐᓇᐃᑦ, ᓂᕕᐊᕐᓯᐊᑦ ᐊᒻᒪᓗ 2SLGBTQQIA+ ᑕᐃᒪᐃᑦᑑᖃᑎᒥᓐᓂᒃ ᐊᐃᑉᐸᕆᔭᖃᓲᑦ. ᓴᕿᑦᑕᐅᓪᓗᓐᓂ ᔪᓐ 3−ᒥᑦ, 2021 ᑕᒃᑯᓄᖓᑦ ᒐᕙᒪᒃᑯᑦ ᑲᓇᑕᒥᑦ, ᑕᒻᒪᓇ ᐱᓕᕆᐊᑦᓴᕆᔭᐅᔪᖅ ᐃᓪᓚᒋᔭᐅᓪᓗᓐᓂ ᐊᓯᖏᓐᓄᑦ ᖃᓄᖅᑐᒍᑦᑕᐅᔪᓄᑦ ᐸᖕᓇᑦᑕᐅᓯᒪᔪᓄᑦ ᑲᓇᑕᒥᑦ ᑐᐊᕕᕐᓇᖅᑐᑦ ᖃᓄᖅᑐᒋᐊᖃᕐᓂᖅ ᑕᒻᒪᑐᒥᖓ ᑭᒃᑯᑐᐃᓇᕐᐃᑦ ᐊᓯᐅᔭᐅᒪᔪᑦ ᐊᒻᒪᓗ ᐃᓄᐊᕐᑕᐅᒪᔪᑦ ᓄᓇᖃᖅᑲᖅᓯᒪᔪᑦ ᐊᕐᓇᐃᑦ, ᓂᕕᐊᕐᓯᐊᑦ ᐊᒻᒪᓗ ᐊᓯᖏᑦ 2SLGBTQI+ ᑕᐃᒪᐃᑦᑑᖃᑎᒥᓐᓂᒃ ᐊᐃᑉᐸᕆᔭᖃᓲᑦ, ᐃᒻᒪᓇ ᖃᓄᐃᖏᓪᓗᓐᓂ ᐃᓄᒋᐊᖃᕋᓗᐊᖓᑦᑖ ᐊᑦᑕᓇᕐᑐᒥᒋᐊᖃᖏᑦᑐᖅ ᑭᓇᑐᐃᓇᖅ ᐊᒻᒪ ᓂᖓᐅᔾᔭᐅᒋᐊᖃᖏᑦᑐᖅ ᑭᓇᑐᐃᓇᖅ, ᓇᒻᒥᑐᐃᓇᖅ ᓄᓇᖃᕐᕈᓐᓂ, ᓇᒻᒥᑐᐃᓇᖅ ᐃᖃᓇᐃᔭᕐᕈᓐᓂ, ᐊᐅᓛᕐᕈᓐᓂ ᓇᒻᒥᑐᐃᓇᖅ, ᑕᐃᒃᑯᐊ ᐱᔭᒃᓴᖃᖅᑐᑦ ᐃᓕᑕᕆᔭᖃᕐᑐᑦ ᐃᑲᔪᖅᑕᐅᒋᐊᖃᓂᖏᓐᓂᒃ ᐱᓪᓗᐊᕐᑐᒥᑦ ᑭᓇᑐᐃᓇᖅ ᓂᕿᑦᓴᖃᑦᓯᐊᕐᓗᓐᓂ ᐊᒻᒪᓗ ᖃᓄᐃᖏᓪᓗᓐᓂ ᐅᑭᐅᖅᑕᖅᑐᒥᑦᑐᑦ ᑭᒃᑯᓕᒫᑦ. 

ᑕᒃᑯᓄᖓ ᒐᕙᒪᑦ ᑲᓇᑕᒥᑦ ᐃᒻᒪᓇ ᐃᓕᑕᕆᔭᖃᖅᑐᑦ ᑕᐃᑦᓱᒪᓂᓴᐃᑦ ᐊᑐᐊᒑᑦ, ᒪᓕᒐᖏᑦ ᐊᒻᒪᓗ ᐱᖁᔭᖏᑦ, ᓱᕐᓗ ᓄᓇᖃᖅᑲᖅᓯᒪᔪᓄᑦ ᐊᓪᓚᓄᑦ ᐱᓪᓗᐊᕐᑐᒥᑦ ᐱᖁᔮᑦ ᐊᕿᑦᑕᐅᓚᐅᕐᓯᒪᔪᑦ ᓱᕐᓗ ᐃᓕᓐᓂᐊᕐᕕᖕᓂᒃ ᐊᐅᓚᖅᑎᑕᐅᓪᓗᑎᒃ ᓄᓇᖃᖅᑲᖅᓯᒪᔪᑦ. ᑕᐃᑦᓯᒪᓂᓴᐃᑦ ᐊᔾᔨᒌᖏᑎᑦᓯᓂᖅ ᐊᓪᓚᒃᑲᐃᓯᒪᔪᔪᖅ ᐊᔾᔨᒌᖏᑦᑎᑦᓯᓂᕐᒥᑦ ᐱᓕᕆᐊᖑᔪᓂᒃ ᐊᐅᓚᑕᐅᓂᖏᓐᓂᒃ ᐊᑦᑕᒍᖓᔪᐃᑦ ᐊᔾᔨᒌᖏᑦᑎᑕᐅᓯᒪᔫᑦ ᓄᓇᖃᖅᑲᖅᓯᒪᔪᑦ, ᐃᓪᓚᒋᔭᐅᓪᓗᓐᓂ ᑕᐃᒻᒪᓇ ᓱᒃᑰᑎᑕᐅᓂᖅ, ᖁᑦᓯᓂᕐᓴᒥᑦ ᐊᓐᓂᐊᖃᓲᑦ,ᐊᔫᕐᕈᑎᓖᑦ ᑎᒻᒥᒥᒍᑦ ᐅᓄᕐᓂᖅᓵᑦ, ᐃᓄᓯᕐᒥᓐᓂᒃ ᑭᑉᐱᓯᕋᑦᑕᕐᑑᑦ ᐅᓐᓄᖅᑑᑦ, ᓂᕿᓯᐊᕙᐃᑦ ᐊᑐᐃᓇᐅᖏᑦᑐᑦ ᐊᒻᒥᒐᕐᑐᑎᓪᓗ, ᐊᒻᒪᓗ ᐊᔪᓴᖅᑐᕐᑐᑦ ᐅᓐᓄᖅᑐᑦ ᐊᒻᒪᓗ ᓂᖓᐅᒪᔪᐃᑦ ᐅᓐᓄᕐᑐᑎᑦ. ᑕᐃᒻᒪᓇ ᐊᔾᔨᒋᖏᑦᑎᑕᐅᓂᖏᓐᓄᑦ ᐊᒃᑐᐃᔭᐅᓯᒪᔫᑦ ᐊᒻᒪᓗ ᐱᔪᓐᓇᐅᑎᖏᑦ ᓯᖁᒥᑦᑕᐅᓯᒪᔪᑦ ᓱᕐᓗ ᐊᒻᒥᓱᑦ ᑭᒃᑯᑐᐃᓇᐃᑦ ᓄᓇᖃᖅᑲᖅᓯᒪᔪᑦ ᐊᕐᓇᐃᑦ, ᓂᕕᐊᕐᓯᐊᑦ, ᐊᒻᒪᓗ ᑕᐃᒪᐃᑦᑐᖃᑎᒥᓐᓂᒃ ᐊᐃᐸᖃᓲᑦ 2SLGBTQQIA+ ᑭᒃᑯᑐᐃᓇᐃᑦ, ᑕᐃᑦᓱᒪᓂ ᖃᓄᐃᓚᐅᖏᑦᑐᒐᓗᐊᑦ ᐊᒻᒪᓗ ᐱᒻᒪᕆᐅᓪᓗᑎᒃ ᐱᖃᑕᐅᑦᓯᐊᕐᑐᑎᒃ ᓄᓇᓕᖕᒥᓐᓂᒃ ᐲᒃᑯᒋᔭᐅᓗᑎᒃ ᑕᐃᑦᓱᒪᓂ ᐊᓐᓇᓇᑦᓯᐊᕆᔭᐃᑦ, ᐊᓐᓇᓇᐃᑦ ᐊᒻᒪᓗ ᓴᓇᔩᒌᔭᐃᑦ, ᐃᓕᓴᐃᔨᐅᓗᑎᒃ, ᖃᐅᔨᒪᔨᒋᔭᐅᓗᑎᒃ ᑭᓱᑐᐃᓇᕐᓂᒃ ᐃᓕᖁᓯᕐᒧᑦ, ᓯᕗᓕᐅᕐᑎᒋᔭᐅᓪᓗᑎᒃ ᑐᑦᓯᐊᔾᔨᔨᐅᓪᓗᑎᒃ, ᐊᒻᒪᓗ ᐃᓐᓂᓱᑦᓯᔩᐅᓗᑎᒃ.

ᑕᐃᒻᒪᓇ ᐊᔾᔨᒌᖏᑦᑎᑦᓯᓂᖅ ᐊᓪᓚᑲᐃᓯᒪᔪᖅ, ᓄᓇᖃᖅᑲᖅᓯᒪᔪᑦ ᐊᕐᓇᐃᑦ ᐊᒻᒪ ᑕᐃᒻᒪᓇᐃᑐᖃᑎᒥᓐᓂᒃ ᐊᐅᑉᐸᖃᓲᑦ 2SLGBTQQIA+ ᑭᒃᑯᑐᐃᓇᐃᑦ ᓂᑉᐱᖏᑦ ᓂᓕᐊᒍᓐᓇᕐᓯᒪᔪᐃᑦ ᓴᖏᔪᒥᒃ, ᓴᑉᐱᓕᖏᑦᑐᓂᒃ ᑲᔪᓯᓐᓇᒍᒪᔪᑦ, ᓯᕗᓕᐅᕐᓱᑎᒃ, ᓴᕿᑦᑕᕆᐊᓕᖏᓂᒃ ᐃᓱᒪᓘᑕᐅᔪᑦ ᐱᓪᓗᒋᑦ, ᐊᒻᒪᓗ ᓯᕗᓕᐅᓱᖑᔪᑦ ᐊᓐᓂᐊᖃᓇᖏᑦᑐᓕᕆᓂᕐᒧᑦ, ᐊᑦᑕᓇᕐᑕᐃᓕᓂᕐᓗ ᐃᓱᒪᓪᓗᑎᒃ ᖃᓄᐃᖏᑦᑐᖁᓗᒋᑦ ᑭᓇᒃᑯᑐᐃᓇᐃᑦ, ᖃᓄᐃᒋᐊᖃᖏᒻᒪᑖ ᐃᓪᓚᒌᖑᔪᐃᑦ ᐊᒻᒪᓗ ᓄᓇᖃᑎᒌᑦ ᐃᓄᖃᑎᒌᑦᓯᐊᕆᐊᖃᖓᑦᑖ. ᑕᐃᒻᒪᓇ ᖃᐅᔨᓴᖅᑕᐅᒍᒪᔪᑦ ᓇᒻᒪᑲᓗᐊᕐᒪᖓᑦᑖ ᐃᖃᓇᐃᔭᕖᑦ ᓄᓇᖃᖅᑲᖅᓯᒪᔫᑦ ᐃᓪᓚᒌᑦᑐᑦᓗ, ᐊᓂᒎᑎᓯᒪᖕᒪᑖ ᖃᓄᑐᐃᓇᖅ ᐊᐅᓚᑦᓯᔨᐅᓲᑦ ᓄᓇᓕᖕᓂᑦ ᐊᒻᒪᓗ ᑲᑐᔾᔨᖃᑎᒌᖑᕙᑦᑐᑦ ᐊᐅᓚᔾᔭᐃᒑᖓᑦᑖ ᖃᓄᑐᐃᓇᖅ ᓄᓇᓕᖕᓂᒃ, ᑭᒃᑯᑐᐃᓇᐃᑦ ᖃᐅᔨᓱᖑᒻᒪᑖ ᑕᐃᒃᑯᓇᖓ, ᐊᕐᕋᒍᒐᓴᐃᑦ, ᐅᖃᐅᔾᔪᐅᓯᒪᔪᐃᑦ ᑕᒻᒪᓇ ᓄᖃᕆᐊᖃᓂᖓᓐᓂ ᐊᑐᖅᑕᐅᑦᓯᐊᖏᑦᑐᖅ ᐊᒻᒪᓗ ᓴᕿᓱᖑᔪᖅ ᓂᖓᕐᓂᐅᑉ ᐃᓪᓗᐊᒍᑦ, ᓄᓇᖃᖅᑲᖅᓯᒪᔪᑦ ᐊᕐᓇᐃᑦ, ᓂᕕᐊᕐᓯᐊᑦ ᐊᒻᒪᓗ ᑕᐃᒻᒪᓐᓇᐃᑐᖃᑎᒥᓐᓂᒃ ᐊᐃᑉᐸᖃᓲᑦ 2SLGBTQQIA+ ᑭᒃᑯᑐᐃᓇᐃᑦ ᖃᐅᔨᓱᖑᓪᓗᑎᒃ.

ᑕᐃᒃᑯᐊ ᒐᕙᒪᒃᑯᑦ ᑲᓇᑕᒥᑦ ᐃᒻᒪᓇ  ᐃᓕᑕᖅᓯᓯᒪᔫᑦ ᑕᒃᑯᐊ ᑲᓇᑕᒥᑦ ᐊᒻᒥᒐᕐᑐᑦ ᓱᓇᑐᐃᓇᐃᑦ ᑭᒡᓕᓯᓂᐊᕐᑕᐅᓯᒪᓂᖏᑦ ᓇᓴᖅᑕᐅᓯᒪᓂᖏᑦ ᒐᕙᒪᐃᑦ, ᑭᒃᑯᓕᒪᓐᓄᑦ ᐱᓪᓕᕆᕕᖕᓂᒃ, ᐃᓕᓐᓂᐊᕐᓂᓕᕆᓂᐅᑉ ᐃᓗᐊᒍᖓᔪᐃᑦ, ᐊᒻᒪᓗ ᓂᐲᒋᔭᐅᓲᑦ ᓄᓇᓕᖕᓂᑦ ᐅᖃᐅᔾᔨᒌᐊᕐᑏᐅᕙᑦᑐᑦ ᐱᖃᑎᑕᐅᒋᐊᓖᑦ ᓇᒻᒪᔪᓂᒃ ᐊᑐᖅᑕᐅᔫᒃᓴᓂᒃ ᑐᓴᐅᒪᑦᔪᑎᑦᓴᓄᑦ ᐊᒻᒪᓗ ᐃᓗᐃᑦᑐᓂᒃ ᖃᐅᔨᓴᖅᑕᐅᓯᒪᔪᑦ, ᖃᐅᔨᒪᔭᐃ−ᐊᑐᐊᒑᑦ ᖃᓄᖅᑐᕐᕈᑦᑕᐅᓚᖓᔪᑦ ᐊᑐᑎᖃᑦᓯᐊᕐᕈᓐᓇᖁᓪᓗᒋᑦ ᐱᑦᓯᐊᕐᓯᒪᓪᓗᑎᒃᓗ ᐱᓕᕆᐊᑦᓴᖏᓄᑦ ᖃᓄᖅᑐᕋᖓᑦᑕ ᐊᑐᖅᑕᐅᓱᖑᒻᒪᑖ ᐊᔾᔨᒌᖏᑎᑦᓯᓂᖅ ᐃᓪᓗᐊᒍᖓᔪᑦ ᐊᒻᒪᓗ ᑭᒃᑯᓕᒪᓐᓄᑦ ᐊᔾᔨᒋᖏᔾᔪᑕᐅᓗᐊᕐᑐᑦ. ᑕᐃᒻᒪᓇ ᐊᒪᐅᑏᑦ ᓄᓇᓕᖕᓂ ᐊᑉᐲᖁᑏᑦ ᐊᑕᐅᓯᐅᖏᑦᓗᑏᑦ ᐱᓕᕆᐊᑦᓴᕆᔭᖏᓐᓂᒃ ᕿᒻᒥᕈᒐᔭᕐᑐᑦ ᑕᒻᒪᑯᓄᖓᖓᔪᓂᒃ ᓄᓇᓕᖕᓂ ᐊᑦᓱᕈᕈᑦᑕᐅᕙᑦᑐᐃᑦ ᐊᒻᒪᓗ ᐃᑲᔪᖅᑐᑦᓴᐃᑦ ᖃᓄᑐᐃᓇᖅ ᓱᓇᐅᒪᖓᑖ ᖃᓄᑐᐃᓇᖅ ᐊᕿᑦᓱᐃᕙᑦᑐᐃᑦ ᓄᐊᑦᓯᓪᓗᑎᒃ ᖃᐅᔨᓴᕈᑏᑦ ᐊᑦᑕᒍᑦ ᐊᕿᒋᐊᕐᓯᒪᓂᕐᓴᓂᒃ ᐱᖃᕆᐊᖃᖓᑦᑖ, ᐊᒻᒪᓗ ᐃᓕᓐᓂᐊᕐᓂᒃᑯᑦ, ᐊᑐᖅᑕᐅᓕᕐᕉᑎᒃ, ᐃᓪᓚᑯᖓᓕᕐᓗᓐᓂ ᐅᒃᑭᐅᖅᑕᕐᒧᑦ ᑭᒡᓕᓯᓂᐊᕐᑕᐅᕙᑦᑐᑦ ᖃᐅᔨᓴᖅᑕᐅᔪᐃᑦ ᐊᕿᑦᓯᐊᕐᓯᒪᒋᐊᖃᖓᑦᑖ ᐊᒻᒪᓗ ᑲᔪᓯᓐᓇᕐᓗᓐᓂ ᑕᐃᒻᒪᓇ ᐊᓯᔾᔨᖁᔭᐅᓯᒪᔪᐃᑦ ᐱᔾᔪᑕᐅᓪᓗᓐᓂ ᖃᓄᕐᑐᒍᑦᑕᐅᓪᓗᓐᓂ ᑕᒻᒪᑯᓄᖓ ᐊᑦᓱᕐᕈᕈᑦᑕᐅᕙᑦᑐᓄᑦ ᐱᓪᓗᐊᕐᑐᒥᑦ. ᑕᐃᒻᒪᖓᓐᓂᒃ ᐊᑉᐱᓲᖅᓂᖅ ᐃᑲᔪᑎᖃᕐᕈᓐᓇᕐᑐᖅ ᐃᓪᓚᐅᑎᑦᓯᓗᑎᒃ ᑲᑎᒪᓂᑎᑦᓯᓗᑎᓪᓗ ᐊᒻᒪᓗ ᐱᖃᑕᐅᔪᓂᒃ ᐃᓪᓚᒃᑯᖓᔪᓂᒃ ᓄᓇᓕᖕᓂ-ᑐᕋᖓᔪᑦ ᐊᒻᒪᓗ ᐃᓕᓐᓂᐊᕐᑎᑦᓯᓂᕐᒧᑦ ᑐᕋᖓᔪᑦ ᖃᐅᔨᓴᖅᑕᐅᓗᑎᑦ ᐱᓕᕆᐊᖑᔪᑦ ᑭᓱᒪᖓᑦᑖ ᖃᐅᔨᒍᑦᑕᐅᒐᔭᕐᑑᑦ ᑭᓲᒻᒪᖓᑦᑖ ᐊᑉᐳᖅᑕᐅᕐᕈᑦᑕᐅᕙᑦᑐᐃᑦ ᓄᓇᓕᖕᓂ ᐊᒻᒪ ᐊᔪᓇᕐᕈᑦᑕᐅᕙᑦᑐᐃᑦ ᐊᐅᓚᑕᐅᓂᖏᓐᓂᒃ ᐃᓪᓚᑯᖓᓂᖏᒃᓂ ᑐᑭᓯᒍᑦᑕᐅᒍᓐᓇᕐᓗᑎᑦ ᖃᓄᐃᑦᑐᒪᖓᑦᑖ.

ᐊᒪᐅᑏᑦ ᓴᕿᑕᖓᓐᓂᒃ ᐃᐳᕈ 2024-ᒥᑦ ᓄᓇᓕᖕᓂ ᐊᑉᐲᖁᑏᑦᑐᑭᓯᔭᐅᒍᒪᔪᑦᐊᑉᐱᓲᑎᒃᑯᑦᐅᓪᓗᕆᐊᓇᕆᔭᐅᔪᑦᐊᒻᒪᓗᐊᑦᓱᕈᕈᑦᑕᐅᔪᑦᓄᓇᕗᒻᒥᑦ” ᖃᐅᔨᒋᐊᕋᑦᓴᐃᑦ ᓇᕿᓪᓗᒍ ᒪᓐᓂᑦᑐᖅ

ᐱᔭᕆᑐᑦ ᖃᐅᔨᓴᕐᓂᖅᒥᑦ ᑎᑎᖃᖁᑎᖏᓐᓂᒃ ᓄᓇᕗᒻᒥᑦᑐᑦ ᐊᒻᒧᔭᒐᑦᓴᐅᒍᓐᓇᕐᑐᑦ ᐊᑎᖏᑦ ᐃᓕᒋᔭᐅᓗᓐᓂ ᐊᒻᒧᒐᑦᓴᓄᑦ ᓴᓚᖃᐅᓯᐊᑦᓴᐃᑦ ᒪᕐᕈᒃ $250−ᒥᑦ ᓂᐅᕕᕐᕕᖕᒥᑦ ᓄᐊᑕᓐ ᐅᕝᕙᓪᓗᓐᓃᑦ ᑯᐊᒃᐸᒃᑯᑦ ᑐᓂᔭᐅᓛᕐᑐᑦ ᓂᐅᕕᕐᕈᓐᓇᑏᑦ! ᐃᑲᔪᓚᖓᒑᕕᑦ ᐱᖃᑦᑕᐅᒍᓐᓇᕐᕈᕕᑦ ᖃᐅᔨᒪᓂᐊᖁᑎᑦ ᑕᐃᒻᒪᓇ, ᐅᑉᐱᒌᔭᐅᔾᔪᑎᒥᒃ ᓄᐃᑦᓯᒐᑦᑖ ᖁᔭᓇᒥᕈᒻᒥᒃ ᖁᔭᓕᓂᑦᑎᓐᓄᑦ ᐱᖃᑦᑕᐅᓂᕐᑐᓄᑦ. ᐊᑏ ᐱᖃᑕᐅᒌᑦ ᐊᑉᐱᓲᕐᓂᕐᒥᑦ ᑲᒪᒋᓂᐊᖃᐃᑦ −  ᐱᔭᕆᕐᓯᒪᔭᐃᑦ ᑎᑎᖃᑦ ᖃᐅᔨᓴᕉᑦᑎᒃ ᑐᓂᒎᒃ ᐅᓪᓗᒥ!

ᑕᒻᒪᕐᒥᒃ ᑭᐅᔪᕕᓃᑦ ᐱᑦᓯᐊᕐᑕᐅᓚᖓᔪᑦ ᑲᖑᓇᕐᑐᓕᕆᓂᐅᑉ ᐃᓪᓗᐊᒍᖓᓲᑦ ᒪᓪᓕᑦᑕᐅᑦᓯᐊᓚᖓᔪᑦ ᐊᒻᒪᓗ ᑕᐃᒃᑯᐊ ᖃᐅᔨᓴᕐᓂᖅᒥᑦ ᑐᑦᓯᕋᕐᑕᐅᒍᓐᓇᕐᑐᐃᑦ ᐃᓄᒃᑎᑐᑦ ᐊᑐᐃᓇᖃᕐᕈᒪᔪᓄᑦ ᑕᐃᒻᒪᒍᓐᓇᕐᑐᓯ ᐊᑉᐱᕆᑐᐊᕐᕈᕕᑦ. ᐅᖃᓚᐅᑎᒃᑯᑦ ᐅᕝᕙᓪᓗᓐᓃᑦ ᖃᕆᓴᐅᔭᒃᑯᑦ ᐱᔭᕆᕋᑦᓴᐃᑦ. ᑕᐃᒻᒪᓕ ᐱᖃᑦᑕᐅᒍᒻᒪᒍᕕᑦ ᖃᐅᔨᓴᕐᓂᖅᒥᑦ ᐅᕝᕙᓪᓗᓐᓃᑦ ᑐᑭᓯᒋᐊᑲᓐᓂᕈᒪᑐᐊᕐᕈᕕᑦ, ᐊᑏ ᖃᐅᔨᒋᐊᕈᓐᓇᕐᑐᑎᑦ ᖃᕆᓴᐅᔭᒃᑯᑦ ᐅᕝᕙ ᑐᕋᕐᕈᑎᖓᑦ admin@amautiit.ca. ᓄᓇᓕᖕᓂᑦ ᑎᒻᒥᐅᔪᑦ, ᕼᐊᒻᓚᐃᑦ, ᓄᓇᓕᖕᓂ ᑲᑐᔨᖃᑎᒌᑦ ᐊᑉᐱᕆᔭᐅᕗᑦ ᐃᑲᔪᖁᔭᐅᓯᒪᕗᑦ ᑕᒻᒪᑐᒥᖓ ᐊᒻᒪᓗ ᖃᐅᔨᒃᑲᐃᖁᔨᕗᑦ ᑭᒃᑯᑐᐃᓇᕐᓂᒃ ᑐᓴᐅᒪᔭᐅᑦᓯᐊᖁᓗᑎᒍᑦ. ᓄᓇᓕᖕᓂ ᐃᑲᔪᖅᑐᖅᑕᐅᓂᖅ ᑭᐅᒍᓐᓇᓂᕐᖏᓪᓗ ᐊᑉᐱᖅᓲᑎᓂᒃ ᐊᑑᑎᓕᖕᒪᕆᐅᕗᖅ ᐊᒻᒪ ᖁᔭᓐᓇᒥᕐᑐᑦ ᐃᑲᔪᕐᑐᐃᔪᓂᒃ. 

ᑐᑭᓯᒋᐊᑲᓂᕐᕕᑦᓴᖅ, ᑕᒃᑯᒋᐊᕈᕕᑦ ᖃᕆᓴᐅᔭᒃᑯᑦ ᓄᓇᕗᒻᒥ ᐊᕐᓇᐃᑦ ᑲᑐᔾᔨᖃᑎᒌᖏᑦ ᑐᕋᕐᕈᑎᖓᑦ: https://amautiit.ca

Niriqatiginnga

Niriqatiginnga

The Niriqatiginnga Pilot Project serves as a prototype social program, arts entrepreneurship and online marketplace incubating data- driven research and innovation, capacity building and collaborative partnerships to address food insecurity in northern communities. The program uses a fusion of creative arts and data-driven approaches to cultural entrepreneurship, through partnerships with northern Indigenous Elders and youth, local Winnipeg businesses, Manitoba farmers, food producers, artists and researchers.

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About Niriqatiginnga

As a community program, nurturing the skills, knowledge, and networks of our future leaders, this unique, pilot program contributes beyond the success of its participants. Niriqatiginnga also lays foundations for sustainable and impactful business and entrepreneurship programming across the Kivalliq Region and Northern Manitoba.

We’re proud to be members and volunteers with the Kivalliq Chamber of Commerce.

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